Dillinger Four Minneapolis, Minnesota
Erik Funk
Paddy Costello
Billy Morrisette
Lane Pederson
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supported by 13 fans who also own “Portrait Of The Artist As A Fucking Asshole”
Will somehow managed to make it sound like the band was playing in an empty bar. Maybe that's what they were going for? (I wouldn't be surprised)
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Skeleton Coast
by The Lawrence Arms
supported by 13 fans who also own “Portrait Of The Artist As A Fucking Asshole”
Coming back to punk rock after spending a lot of time away listening to other things made this extremely hard hitting and fresh. McCaughan's poetic lyricsm in Sundowner shines through in this release. Somehow Metropole didn't hit me like most, but I can see how "You Are Here" was a precursor to one of my favorite records to come.
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supported by 13 fans who also own “Portrait Of The Artist As A Fucking Asshole”
A fantastic album. I can see why they didn't continue under the name The Evens, as it's a different sound with the bass added. Coriky is the Evens + Joe Lally from Fugazi on bass. If you can imagine The Evens with a slightly more funky, aggressive sound like Fugazi... that's what you get! And there's no way that can ever go wrong. What a great debut album!!
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Jagged post-punk from Sydney captures the sound of the ’70s in its acute angled guitars and detacted vocals.
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Gutsy rock & roll from this Brooklyn group bursting with hot-rodding riffs and snarling vocals, hearkening back to classic dark punk.
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Taking cues from Midwestern emo and early ’10 pop punk, this Leeds, UK outfit are full of heart— not to mention hooks.
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supported by 13 fans who also own “Portrait Of The Artist As A Fucking Asshole”
A pop-punk album full of both angst and maturity. A lot of this album is about growing up, but I've been consistently coming back to this album for over 5 years and it never gets old.
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